
ChristoSophia in Poros
In May, 2004, we embarked on a “mythic quest” of Greece with eight fellow pilgrims, several of whom were members of our ChristoSophia Community. Our purpose was to explore the spiritual heritage of Greece, which forms the foundation of our Western culture, by pilgrimage to sacred sites that span the ages of the Greek mythological imagination, from pagan antiquity through Eastern Orthodox Christianity. In particular, we were searching for the Divine Feminine in her multifaceted manifestations within the Greek psyche—from her roots in the pagan goddess figures of ancient Greece that blossomed into the images of the Divine Feminine in Orthodox iconography. For Sophia—as the archetypal Divine Feminine in Christian tradition—has always been easier to find in the Eastern than in the Western Church, which repressed the feminine elements more vigorously. For example, in the Divine Liturgy of the Eastern Orthodox Church, the priest explicitly exclaims, “Sophia, Wisdom of the Highest!” as he makes the sign of the Cross over the altar with the Gospels.
We discovered Sophia in one of her guises in Eastern Orthodoxy on our very first stop in the Greek isles, which was Poros.
This island, separated from the Peloponnese of mainland Greece by a narrow strait, is a busy tourist destination. Leaving behind the noise and activity of the dockside shops and tavernas, we hired a taxi to drive us up the steep winding roads to the quiet solitude of the Monastery of Poros. Upon arrival we were transfixed by the sight of the beautiful whitewashed buildings with red tile roofs, surrounded by dark green cypress trees, and the shimmering blue sea that could be seen beyond the monastery walls, all illumined in the sunlight.
Already recognizing the numinous quality of this sacred place, we walked through the gate and entered the monastery.
The first thing that we saw was an icon of the Mother and Child, seated within a Chalice, from which streams of water flowed into a rectangular pool beneath. This was a startling synchronicity, as the meditation of our ChristoSophia Community prior to embarking on this pilgrimage had focused on the theme of this icon, “The Life-giving Source.” We felt that Sophia had truly led us to this place and was giving us her blessing to initiate our journey.
We later found out that the monastery had been built by a bishop from Athens in the 1700s who was cured by the holy water from a spring in the area. The “spring of the immortal water” is still within the walls of the monastery, to which it gives its name: “The Holy Monastery of the Life-giving Source (Zoodochos Pighi.)”
The icon that we encountered when we entered the monastery is one of many variants that we subsequently saw throughout Greece that represent the mystery of the “immortal” or “living water.” This is the spiritual water that Jesus referred to when he spoke to the Samaritan woman at the well:
"Everyone who drinks of this water will thirst again, but whoever drinks of the water that I shall give him will never thirst; the water that I shall give him will become in him a spring of water welling up to eternal life."
(John 4: 13-14)
"Zoe and bios (are) the embodiment of two dimensions co-existing in life. Zoe is eternal and infinite life; bios is finite and individual life. Zoe is infinite being: bios is the living and dying manifestation of the eternal world in time."(1)
As the pagan Greeks taught, when we incarnate on Earth we drink from the Well of Forgetting and lose the memory of our True Self as we identify ourselves with the limited body/ego. Spiritual illumination occurs when we drink from the Well of Recollection and remember who we truly are – the divine Self – and where we came from – the heavenly realms of the Spirit. Within Christianity this spiritual truth is expressed as the “living water” offered by ChristoSophia that makes us aware of our simultaneous existence as ego and divine Self, existing in both the earthly and the heavenly realms. This awareness leads us to the transformed consciousness of the spiritualized human being. The Jungian analyst Edward Edinger, in his discussion of the archetypal symbolism of Greek mythology in The Eternal Drama, summarizes this theme: "The message is, I drink the water in the Underworld and I inherit eternity as a result. The image also appears in alchemical symbolism as the water of life, the aqua vitae or aqua permanens. It is an image of the Self as the center of the psyche that conveys meanings beyond time and space, and so is eternal…The image comes up again in Jesus' encounter with the Samaritan woman."(2)

"The perpetual, permanent…divine water…was also the bath of regeneration, the spring rain which brings forth vegetation."(3)
"There are some who go into the water, and when they emerge, they recognize the Presence in everything… What we call the world is not the real world; But if we could see it with the eyes of the Being who infuses it, we would see it as incorruptible and immortal."(4)
The icon of the Life-giving Source truly expresses the spiritual essence of this holy place to which it gives its name. It is the gift of this transformed consciousness that we receive from the “immortal Spring” at Poros that we take with us when we return from our pilgrimage to our daily lives.
Then we drink of the “living water” in a continual act of recollection, and hear the message contained within the icon: